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  • Billy Childish Quoted as Blowing Smoke – Painting 1

    A series of paintings I’m making in response to a quote in the book To Ease My Troubled Mind – the Authorised Unauthorised History of Billy Childish by Ted Kessler. Eventually this series of paintings will be part of a display at The Camden Market Free Art Man dedicated to my response to the following text in…

  • Our band has changed its name from “Edgeworth Band” to “The Camden Market Free Art Man”. I haven’t told Emma yet but gave her a copy of our latest album under the new name, so she’ll notice at some point.

    I can hardly believe a search through my YouTube videos suggests that last night was the first time we’ve played together since 2024. It can’t have been much longer ago, if at all, that Ron Throop @ronthroop was over here from New York, when Emma, Ron and I, the three members of Black Ivory, made some jazz improvisation albums under the name Farangers. Farangers is a slang term they use in Thailand for westerners. I go to Thailand a lot and hope to retire there.

    Last night, we rehearsed a new song called Plasticine and an old one Emma might not have played before called Disgraced Dean. At the time of writing Disgraced Dean has almost double the YouTube views of any other of last night’s songs with nine. Other than those two, we just played some songs we were familiar with to get back in the swing. I say familiar, but Emma still hasn’t memorised any of our songs yet despite being in the band since its inception around 2015. For once we didn’t play any covers. There’s too many new songs to bother with covers for a while. I hate to think how many new songs are sitting on my phone from 2024 onwards. If it’s really two years since we practiced there must be well over a hundred.

    All the gigs we’ve played so far have been around London but we haven’t brought enough people to get many repeat bookings. The only venue we’re played more than once is The Islington which has since shut down. Hopefully not because of us. Some great people played there including Thurston Moore whose music I really like. One of the reasons I wanted to play there was because I thought he might be hanging around at the bar, hear us and decide he wants to join our band. I think he lives in London now since his marriage broke up.

    Before booking any more gigs I’m going to try and drum up more of an audience at The Camden Market Free Art Man. I don’t think Emma and I busking would work but having artwork themed on our music covered in our band themed Advertism with copies of our new album available to take will hopefully get us off the ground. Camden’s the perfect location for our style of music. Playing our albums at Camden on a ghetto blaster wouldn’t be fair on the punks on the other side of the bridge who also play their music. Not their own songs, but old punk bands. They’ve been there a lot longer than I have and play a lot of music I like. I’m pretty sure Zombie told me Nirvana’s his favourite band. I don’t know if he knows that Emma and I did an album of Nirvana covers.

    Band practice is now timetabled into being a weekly event every Thursday at 5pm, immediately followed by recording The Black Ivory Podcast, also weekly, with Ron Throop. Ron couldn’t make this Thursday so I think we’re rescheduling for this weekend sometime. Stay tuned for exacter details. Just Ron and I this time. Tune in on either Ron or my Substacks if you want to see it live. We talk about all things art and music, including the latest progress of Ron’s dedicated and relentless pursuit of averaging three paintings a day for the next twenty years, therefore guaranteeing a legacy of at least 20,000 paintings. I was doing it too for a while but gave up after four days. Averaging one new song a week shouldn’t be a problem though. Plasticine was this week’s:

    Full playlist:


  • Oil on stretched canvas. Approx 7 x 5 in/ 18 x 13 cm. In my Ebay and Etsy shops £25 each. Free postage to UK and Europe. Ready to hang so don’t need a frame or any attachments. Signed and titled on the back in pencil. Buying work from my shop help my FREE ART FREES ART campaign to make art freely available to members of the public who do interviews for my CAMDEN MARKET FREE ART MAN display.


  • HHJ Home | Etsy | Ebay | Release Heckel’s Horse | Donate

    Now my home studio has been cleared out to make room for our weekly Thursday afternoon band practices, I have enough floor space to do some bulk paintings. Three at a time, each set of three taking roughly an hour, two sets per day. All are oil paintings for my Heckel’s Horse Jr series on stretched canvas. Today I got an extra painting done in the first session, so ended up with a total of seven paintings. Here’s me standing with the second set of today’s paintings:

    Under each painting is a page from the Heckel’s Horse Jr catalogue I did for an exhibition at Highgate Literary and Scientific Institution in 2024. It was at this exhibition that I first met Ron Throop @ronthroop and Rose Throop in person for the first time. The pages are nailed to the wall to act as a guide, but I’ve painted so many versions of these paintings I rarely look at them. Both of today’s painting sessions were filmed on my webcam and published on YouTube. Here are the paintings from today’s first session:

    After a long period favouring acrylic over oil, mainly due to its faster drying time, I’m now back on oil. The problem I’ve been having with acrylic recently is that it dries too fast on the palette when I’m painting in my expressionist style. Acrylic’s fine for flat colour painting, as I know which colours I’ll be using and can paint them one at a time. But for the expressionist paintings, I need to have all colours instantly available. Having to stop and squeeze tubes every couple of minutes, and judge how much to squeeze doesn’t work. When it comes to painting three or more expressionist paintings concurrently, it has to be oil.

    To keep this rate going, assuming it’s to be a weekly half-day painting event, I’ll need to sell a few to pay for the stretched canvas. Even aside from the money, I’ll need to sell them as stretched canvas takes storage space my house doesn’t have. A friend recently gave me a load of blank canvases and oil paints, so I’ll be fine for the next few weeks even if none sell. For my oil on canvas work, I’ve stopped putting Advertism on the front. Adverism needs glue, and I’m not gluing these oil paintings. I like the matt oil look Pierre Bonnard and Gauguin paintings have when it comes to this looser work. The flat colour acrylic pop art’s different.

    As well as the seven Heckel’s Horse Jr paintings, I reworked a couple of old paintings I did under my real name, Edgeworth Johnstone. They both had borders around the edge, which I don’t like any more. I used to like putting borders into paintings after seeing some German Expressionists doing it, and in particular, Billy Childish when I started working in his studio around 2013. All these paintings will take a few weeks to dry enough to put in my online stores, so I’ll still have to do some acrylic work in the meantime to keep the regular flow of work into my online shops going. My goal is to have two hundred oil on canvas artworks in each of my online shops by 2027. I’ll be the Ryan Air of art and revolutionise its business model through FREE ART FREES ART. If I’m going back to Thailand this winter, I’ll need to get painting.


  • HHJ Home | Etsy | Ebay | Release Heckel’s Horse | Donate

    Original oil paintings on paper that I glued onto the cardboard backing. I put two hole in the top corners so it can be hung on the wall. No need to buy a frame or any attachments. I signed it on the back in pencil.
    These paintings are part of a series called “Heckel’s Horse Jr Self-Portrait”. Each are numbered on the back. Approx 36cm x 36cm.




  • Original oil paintings I did on plywood. I attached the frame around it and put a hole in the back so it can be hung on the wall. No need to buy a frame or any attachments. I hand printed the lettering, stamping each letter individually in good quality oil based printing inks, and signed it on the back in pencil. A limited edition of 8, each numbered on the back. Approx 10 x 8 inches / 25 x 20 cm.


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