Edgeworth Johnstone Solo Albums

Edgeworth Johnstone also plays in these bands. Below are his solo albums (all instrumental improvisations):

My twenty-third album: Algoranb

My twenty-second album: Dogecoyn

My twenty-first album: Ethereom

My twentieth album: Bitcoyn

My ninteenth album: The Black Ivory Manifesto

Just start. Needing inspiration is for pussies.
Black Ivory is Stuckist conceptual art.
Black Ivory exposes the Wizards of Oz.
Art manifestoes are pretentious.
To be anti-anything is to be trapped in its orbit.
Only the poor deserve our work.
Nothing to learn or practice because art isn’t a trade.
The fetishisations of vanishing points and foreshortenings are chronic symptoms of artistic impotence.
Life drawing is death drawing.
Still life is still death.
Writing music kills it.
We are as impressed with others as they are with our work.
Using art as communication is to misunderstand phones.
Buy my paintings in my Etsy shop and on Ebay.
Trying to better society with your art is a joke.
Using art to express yourself is a waste of art.

My eighteenth album: What?

My seventeenth album: Starmer Farmer Harmer vol 2

Read: Starmer Farmer Harmer

Buy the placards in my Etsy shop at: https://www.etsy.com/uk/listing/1881218608/starmer-farmer-harmer-placard-ready-to

Demo For Our Family Farms
If This Was A Tory Policy They’d be Screaming Bloody Murder
Work is Tax
Where Are The Insider Rebels?
Kicking Family Farmers When They’re Down
Watch all the Lefties Moan When the Super-Rich Take the Land
Productivity is Tax
Extinction Acceleration
As If The Government Aren’t Going To Waste It All Anyway
Another Chunk Of Britain Gone
Running Our Country Having Never Run a Business
Start Them Off on a Lemonade Stand
Or a Bath

My sixteenth album: Starmer Farmer Harmer vol 1

Read: Starmer Farmer Harmer

Buy the placards in my Etsy shop at: https://www.etsy.com/uk/listing/1881218608/starmer-farmer-harmer-placard-ready-to

Stop the Starmer Farmer Scam
They Aren’t Tax Dodgers
You Know They Can’t Pay It
Supporting Workers, My Arse
Starmer’s Filthy Land Grab
What Better Use of the Land?
Protect Family Farms
Hitting Innocent Working Family Farms
Betrayal of the Workers
Control the Land, Control the People
Of All the People to Go After
Follow the Money
Bye Buy Country
Watching Labour MP’s Flap Around Trying to Defend This is Cringefest
No True Rebel MP

My fifteenth album: Thai’d Up Heckel’s Horse:

Read: Pattaya Collabs

Pattaya Collabs Wing of Heckel’s Horse
Heckel’s Horse International
The Edgeworth Johnstone Common Denominator
Heckel’s Horse Jr. Plus
Don’t Worry, I Know You’re Too Cool to Click Like on my Instagram
Heckel’s Horse Without Withold
Pattaya the No Career Consequence
Heckel’s Girly Attack
Dismissable Enough for Etsy
A7 Hotel is the Chatham Dockyards of Thailand
Get in on the Heckel’s Horse Franchise

My fourteenth album: I’m in Love:

Read: Pattaya Collabs

Moon and Venus
Bike Dodging Frogs
Throwing Imposters Off the Balcony
ATM Swallows
Call Me the Farang Pool Hustler
Pharmacy Cream
Global Brent Cross
Rats at Both Ends
Bar Fine
All Nice Men are Pretending
Bus to Whatever
Shopfront Candy Smell
Crypto Ransom Farm

My thirteenth album: Never Mind the Pollocks Here’s Jompiy:

Read: Jompiy series O

Jackson Pollock Painting in Gold
Jackson Pollock on Camden High Street
Jackson Pollock Painting Given Away
Jackson Pollock Painting Found in Skip
Jackson Pollock and Free Jompiy
Jackson Pollock Painting on Blockchain
Jackson Pollock Painting Sold For A Dime
Jackson Pollock Paintings Aren’t Abstract
Jackson Pollock in London

My twelfth album: Bitcoin of Art:

Read: Bitcoin of Art

Jompiy Eats Bitcoin
Jompiy Stole Your Bitcoin
Jompiy is For the Early Birds
Jompiy Doesn’t Want Your Money
Jompiy on the Streets of Camden
Jompiy and Slumpu
Jompiy Knows What to Do
Jompiy Thanks
Jompiy Please

My eleventh album: Yamamoto Keiko Rochaix re: Delaine Le Bas Suspected Plagiarism Of My Work:

Read: Delaine Le Bas

I sent Yamamoto Keiko Rochaix gallery a message
Yamamoto Keiko Rochaix and Delaine Le Bas
Asking Yamamoto Keiko Rochaix if they would like to make a public comment
My friends Yamamoto Keiko Rochaix
Can’t see a reply from Yamamoto Keiko Rochaix yet
Do Yamamoto Keiko Rochaix think Delaine Le Bas plagiarised my work?
No blame for Yamamoto Keiko Rochaix
Delaine Le Bas and Yamamoto Keiko Rochaix seen it?
I like Yamamoto Keiko Rochaix
Yamamoto Keiko Rochaix with Edgeworth or Delaine
Yamamoto Keiko Rochaix of East London

My tenth album: New York Times on my Secret Collaboration Paintings with Billy Childish, Heckel’s Horse – Part 2:

Read: New York Times on my secret collaboration paintings with Billy Childish

It’s counter-Stuckist nature to see Heckel’s Horse locked away
So afraid of taking a wrong step, Heckel’s Horse is incapable of taking any. Contrast this with the heroic intrepid risk taker of the Stuckism manifesto
Create Heckel’s Horse Jr. and bypass the Heckel’s Horse bottlenecks
The Stuckist manifesto berates Heckel’s Horse
Heckel’s Horse will have its day in the sun one day, and the longer it takes, the better for Heckel’s Horse Jr.
Maybe locking up the Heckel’s Horse painting’s got some merit to it
Heckel’s Horse Jr.‘s the way forward
Heckel’s Horse is demonstrably anti-punk, and will be the litmus test of Stuckism
Heckel’s Horse. The horse that never bolted
How not Ever-Moving Target can you get?

My ninth album, New York Times on my Secret Collaboration Paintings with Billy Childish, Heckel’s Horse – Part 1:

Read: New York Times on my secret collaboration paintings with Billy Childish

These last 11 years, Billy Childish and I have been collaborating on a series of around 200 (so far) paintings, under the alias Heckel’s Horse
Long gone are the dark old days when Edgeworth Johnstone was either too confusing or disgraceful to be publicly credited alongside Billy Childish
The You’d-Think-Forbidden fact that Billy Childish and Edgeworth Johnstone are decade-plus long collaborators on what Billy’s publicly declared to be his “favourite work” is now less of a problem
Nothing as big as Heckel’s Horse gets such sidelining by accident
Heckel’s Horse, patiently biding its time, for no other reason than, the hope of being launched by the mainstream conservatism the Stuckist manifesto derides
Heckel’s Horse has produced around 200 paintings, the vast majority 6 footers on Belgian linen deep edge canvas. Heckel’s Horse, the greatest untold story of art
‘The Artist as ‘Ever-Moving Target’ is a good title for the New York Times article, as it contrasts starkly with Heckel’s Horse

My eighth album, Kier Starmer’s Top 10 Lies:

Read: My Starmer Show & My Starmer Protest

Abolishing tuition fees
Scrapping the two-child benefit cap
Nationalising public services
Retaining the Winter Fuel Payment
Not increasing taxes on working people
Backing the Waspi women
Supporting family farmers
Not knowing about a £22 billion “black hole” the IFS said repeatedly “was obvious to anyone who dared to look”, almost half of which comes from Labour party decisions on public sector, above inflation, pay rises anyway
Smashing the gangs
Increasing income tax for the top 5%

My seventh album, Shin Detonator:

Read: Shin Detonator

Worms are also sometimes dropped by the birds and sniffing around like confused pigs, find their way to getting wedged in the kindle beneath the pots
A perforator vein communication network, installed by order of The Horse Prefect
If you want to penetrate a spasm, you’ve only got its fruit to choose from
They walk up the boats ladder, aboard, then back overboard
Roots arrange their choirs overhead, football nets drive into the ground, obviously joined at the other end
You wanna tell that Braithwaite, she’s a little hasty, dumping bone clamps in the snow, just ‘cos she’s alone in the kitchen for once
We hear you swell down into The Benign Soil from the kitchen
Underling climbs down from the window, and waits till Braithwaite and the chefs have walked in
The boat only has one bed, so the others sit out on deckchairs
Owzat punk! They got your Infirm Protein Coat!
We’re no bonfire club. Rather orphans of net clogging

My sixth album, Barred from Tate:

Read: Tate Artist Excluded from Tate for Turner Prize Leaflet

1. My Stomach Turner Prize pamphlets got me barred from Tate Modern
2. I was just telling Ron Throop
3. He and Rose have been to Boston and Rochester recently
4. Now Ron’s painting, listening to track 3 of this album
5. I’m currently listening to my conversation with Ron
6. Ron’s paintings are on smoked salmon trays, tonight
7. Streamlining food duties is the secret to productivity
8. Camden High Street, Jompiy one side, Slumpu the other
9. When that mask was art, it was on someone’s face

My fifth album, Punk & Stuckism Integrity vs The Suppression of Heckel’s Horse:

Read: Free Heckel’s Horse

The Stuckist duty to display paintings, enriching society by giving shared form to individual experience and vice versa
Unlike the professional, the Stuckist is not afraid to share their work
Attribution is black or white, truth or lie, and punks can’t lie
Leaps of human endeavour are made by the Stuckist who does not have to protect their status
The Stuckist allows him/herself uncensored expression of Heckel’s Horse through the process of Heckel’s Horse Jr.
The Stuckist is opposed to the sterility of the white wall gallery system and calls for exhibitions to be held in homes
The Suppression of Heckel’s Horse is a polemic of materialism
Stuckism and Punk oppose slick bureaucracies, whose primary motivation is financial
If a gallery is unable to offer benefits to the community it is guesting in, then it has no right to be tolerated

My fourth album, Tate is Institutionally Art-Racist:

Read: Tate is Institutionally Art-Racist

Stuckism, the non-white elephant in the room
Every major art movement in history is represented by every major gallery or museum in the world, except Stuckism, which is represented by none
It’s bizarre and shows the art establishment to be globally, institutionally and seethingly art-racist
Tate, more so than any
Major galleries nowadays wouldn’t go near anything that wouldn’t slide unnoticed into an IKEA display
Stuckism, the only globally significant art movement Britain’s ever come up with, remains absent from our national collection of modern and contemporary art
The art establishment’s a largely fascistic clique of corrupt mutual backscratchers that hate Stuckism and go out of their way to ensure we fail
Stuckism, today’s Guerrilla Girls
The art establishment is a “Whites Only” disco and the Stuckists aren’t white

My third album, John Marchant Gallery Delaine Le Bas:

Read: John Marchant Gallery

John Marchant Gallery & L-13 connection between Delaine Le Bas & Edgeworth Johnstone
L-13 & John Marchant Gallery connection between Delaine Le Bas & Edgeworth Johnstone
L-13 & John Marchant Gallery connection between Edgeworth Johnstone & Delaine Le Bas
John Marchant Gallery & L-13 connection between Edgeworth Johnstone & Delaine Le Bas
Delaine Le Bas & Edgeworth Johnstone connection between John Marchant Gallery & L-13
Delaine Le Bas & Edgeworth Johnstone connection between L-13 & John Marchant Gallery
Edgeworth Johnstone & Delaine Le Bas connection between L-13 & John Marchant Gallery
Edgeworth Johnstone & Delaine Le Bas connection between John Marchant Gallery & L-13
Edgeworth Johnstone & Delaine Le Bas connections between John Marchant Gallery & L-13

My second album, Burn Tate Burn:

Read: Article on Burn Tate Burn & Tate’s institutional racism

You Know How I Feel About Giving Tate My Money
Stuckism, Public Enemy Number 1
For All The Years Stuckists Dressed Like Clowns, Burn Tate Burn
Ladies And Gentlemen, Today’s Feature Presentation, Edgeworth Johnstone By Delaine Le Bas
Stuckists Portray The Roles Of Butlers, Maids, Slaves And Hoes
What Else Can A Stuckist Do?

My first album, Delaine Le Bas Dot Org:

Read: Delaine Le Bas Dot Org website

The Tate Galleries Responsibility To Represent Every Major Art Movement, Except Stuckism
What Conveniently Butterfingered Minds The Art Establishment Have When They Want To Airbrush Edgeworth Johnstone’s Name From His Collaborative Work With Billy Childish
Punk Minus Truth Equals Nothing
Walking Through The Delaine Le Bas Turner Prize Exhibit To See Edgeworth Johnstone In The Turner Prize
As They Rejected Fellow Stuckist SP Howarth For Being, True Stuckism Will Always Be Unacceptable To Contemporary Practice, Just Like All Other Major Art Movements With Any Staying Power Are, and Were, During Their Time
Really Long, Seemingly Disconnected Titles Are Yet Another Idea I’ve Stolen From Ron Throop